Read the interview with John Simm, who plays Edward Sexby.
Edward Sexby is a fascinating character. Explain a bit about him.
When you first meet him, he's a soldier of fortune, a hired hand who kills people for money, working for whoever pays the most. As the story evolves, he finds his values and falls in love with Angelica - although he takes a long time to realise that he has. And he also falls in love, in a way, with Rainsborough. He sees his philosophy, and it changes him, and he changes sides on the battlefield. He changes his whole philosophy of life, and discovers honour.
He's a very complex, troubled, heroic character, who really evolves throughout the series. That must be an actor's dream role.
It's Indiana Jones with knobs on. Because of his name, the producers didn't want him to be good-looking in any way whatsoever. Rainsborough's the pretty boy and the hero, Sexby's kind of an anti-hero, which I like best. They're my favourite parts. He's not really based on the real Edward Sexby. The real one was a Leveller, and was arrested for trying to assassinate Cromwell, but that's as far as the similarities go. He's a fictional character in many, many ways. But because of his name, we really didn't want him to be 'sexy'.
With a scar across your face, playing the anti-hero, did you have to divest yourself of any element of vanity?
Absolutely. I don't think there's any place for vanity if you're an actor. Unless you want to be an actor who just takes roles where you look good all the time. In which case, good for you, that's fine. But Sexby is a feral, vicious man, who doesn't give a toss about how he looks. He's an ugly guy; it seems much more realistic that way.
Did you research him at all?
I did a lot of research into the Civil War. It's one of the best things about being an actor, being able to delve into the past and call it work. The history was incredibly interesting. I buried myself in books about it, just to get a feel of the time. There's a brilliant book called The Civil War at First Hand, which is letters written back from the front, which was brilliant. But as far as Sexby himself goes, I only read up on him a little. There's not much information about him, unlike Cromwell, Lilburne or Rainsborough. This guy is just a name, and Peter Flannery wrote an amazing character around him.
Sexby's a very adept fighter and you had a lot of fight scenes. Was that exciting?
The battle scenes and sword fights were great. If you just ignore the camera then you're just in the middle of this enormous battle, with cannons going off and horses charging. All of that stuff was the best bit about it, just brilliant. That and the costumes. It's the finest costume I've ever laid my eyes on, let alone worn. It was incredible, specially made with all this soft leather, and bullets for buttons and stuff. It's amazing. And when you put the wig on, the scar on and the outfit, it kind of dictates the way you're going to play the character. You change as soon as you put it on.
You and Dominic had worked together before, hadn't you?
In the mid-90s we worked together on something called Diana and Me, a film with Toni Colette. And we were playing paparazzi in it. When Diana died, the film was of course pulled. Which was probably no bad thing, as it wasn't great. But me and Dominic spent six weeks in Sydney together, and had a ball.
