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Getting
into….. TV Presenting
So
becoming a TV presenter is your burning desire. But what kind
and how? There are loads of different TV presenters from newsreaders
to chat show hosts, T4 to Tomorrow's World. Each presenting
style requires different talents.
Where
do you begin?
Presentstars!
You are not alone! Thousands of young people want to be a
TV presenter. If you thought Popstars was a competition from
Hell, then be prepared for more of the same. Making it as
a TV presenter can be equally as tough. But TV land is changing.
There are more and more TV stations and programmes so the
opportunities for wannabe Presenters has never been better.
And everyone is desperate to uncover the next BIG THING
- the face of TV's future.
So what does it take to become a TV presenter? Talent? Ambition?
Contacts? Perseverance? Nerve? Being in the right place at
the right time? Plain old luck?
In truth, it's a mix of all of these. There is no golden
route to TV Presenterdom.
Do yourself a favour!
Start
watching the box. But this time, study the shows that are
fronted by presenters. Which type of programmes do presenters
work on? How are these put together and how does the presenter
fit in? Do they link items together or control the direction
of the show? How is Driven different to Top Gear?
How
do the presenters 'talk' to the camera? How do they dress?
How do they speak? What do they have in common and how do
some stand out? How do they take a boring topic and make it
interesting and engaging? How do they cope with the unexpected?
The
more TV you analyse, the better idea you'll have of some of
the key attributes you'll need, different presenting styles,
some of the problems…
Practise makes perfect
Although
TV presenters differ from show to show, channel to channel,
they do share some common approaches and skills. The more
of these you are aware of, and practise, the better your style
will be and the greater chance you'll have of impressing!
Key
things to practise are:
- Reading
out loud: Ahhh,
the Presenter's saviour… the Autocue. A key skill is reading
a script aloud from a computer screen. The trick is to look
like it's all coming off the top of your head. Make up your
own piece - say, 45 seconds on your favourite film - and
practise presenting it as if you were on Moviewatch. Work
on talking as if you are having a conversation and not reading
from a script. Think about the way your voice sounds, how
your head moves and the way your eyes interact with the
camera and your audience. Get your friends and family to
listen to you and be ruthless in their criticism - and don't
take it personally!
- Learn
to ad-lib freely:
Try deviating from the script- unless you're practising
reading the news - you are supposed to be communicating
NOT reading. This is a crucial skill when doing live TV.
What if the unexpected happens? What if the Autocue breaks
down in the middle of your link? You'll need to cope and
make the link appear relaxed and seamless.
- Check
out the on-screen YOU:
Try to get hold of a cam-corder and take at peek at what
you look like on camera. Don't be surprised if the lens
shows a different image of you than you expected! Compare
how you look and act on screen with other presenters. Start
by just talking to the camera about yourself. Keep it to
2 minutes and get a friend to give you hand signals at every
30 seconds and count you down the last 10. Practise finishing
cleanly and calmly on zero - you'll soon get to know how
long 10 seconds really is! Make sure you bring your talk
to a natural conclusion rather than stopping dead because
you've run out of time. Presenters do this all the time,
so it's a great technique to master. If the words dry up,
just say what you're thinking. And have fun - it will come
across on camera.
- Dress
for success: If you want to present pop music
shows, then a trendy image will be essential so that you
look like you are one of the audience. A serious look is
essential for news reading. It can help you to build a rapport.
Make sure you feel comfortable and look the part.
-
Using props:
Try using everyday items when you practise presenting -
this could be a photo, brochure, toy…Presenters often use
a prop so if you can feel at home talking to camera with
any prop, then you're off to a head start.
- Earpieces:
Presenters typically wear an earpiece so that the Producer
can communicate directly with them. They will speak to you
while you are talking which can be off-putting. At least
practise wearing an earpiece so you get used to the feel.
Think of it as eavesdropping on someone else's conversation.
Perhaps wear headphones with the radio on and practise listening
and talking at the same time. It's not quite the same as
a flustered Producer screaming in your ear to say something,
ANYTHING but you will develop a feel for it.
- Interviewing
Technique:
you can try your hand at interviewing with a friend. Get
them to be Robbie Williams or William Hague… or just themselves.
Try being serious with one and humorous with another. Work
it out beforehand. The golden rule is LISTEN and let your
interviewee TALK! You are there to get the most interesting
information from your guest and maybe to coax something
out of them that they wouldn't normally say. Your questions
should be interesting, strong - even controversial! Keep
the interview lively - if it's bland, then it's boring.
Last,
but by no means least: BE YOURSELF! Don't develop a
different personality just for the camera. This is likely
to just make you look a fake and unprofessional. And viewers
will quickly see through it. Everyone has their own style,
so just let it happen - in fact capitalise on it! Smile -
enjoy it, have confidence in yourself and let your personality
shine through.
Do
your research
Which production companies use a lot of Presenters? How is
TV changing? What challenges does it face? What kind of Presenters
are in demand?
All
this will help you understand the TV world better. You can
also keep up-to-date with all the TV news by checking out
magazines like Broadcast and Monday supplements in the Guardian
newspaper.
Getting
your Big Break
Some
of the big TV channels and production companies run Talent
initiatives looking for new faces. They often want to see
your showreel to see if you've got what it takes. A showreel
is typically 4-5 minutes long showing you at your presenting
best. Perhaps talking about yourself, doing a mock interview,
a link etc. You can get these professionally made, but they
cost. Alternatively you can make your own.
You
may also have to audition, which can be a nerve-racking experience.
Just go for it - but these are seriously over-subscribed and
competition is fierce, so don't be too disappointed if you
don't make it. Find out why they didn't want you this time
and work out how you could improve.
Train,
train...
You
might want to get some training in TV presenting skills or
TV skills in general - the more you have, the greater your
chances. Presenters' courses come in different packages. Normally
they include interviewing techniques, voice training, reading
autocue and wardrobe advice. Make sure you choose one that
gives you a showreel at the end. They do cost - you can shell
out anywhere between £60 - £700 with no guarantee that you'll
succeed - check out the London
Institute for examples.
Few
presenters come direct from courses but the good ones will
give you useful training, a showreel and insight into what's
involved in the biz. They can help - Liz Fraser did a one
day course and went on to present for Children's BBC and the
Holiday programme. Also, check out the trade organisations
like PACT and books like Making it as a radio or TV presenter:
an insider's guide by Peter Baker. There are a few organisations
like YCTV (http://www.yctv.ort.org)
that specialise in training young people in TV. Also your
local college and training provider, as well as a growing
number of universities, run a variety of TV and media courses
from the very theoretical to the highly practical.
T4's
Margherita Taylor studied media and communications at university,
concentrating on video production. But it was when she entered
Search For A Star, run by a Birmingham radio station, that
she got her big break.
Make
your showreel the best you possibly can so it really shows
what a cool and professional Presenter you are when reading
from autocue, interviewing, linking items, etc. Then mail
it to those programmes and production companies that involve
the presenting you want to do, along with a cover letter that
illustrates your passion for presenting. Be determined and
persistent and you can make it! CBBC's Ana Boulter has been
everything from waitress to chemist assistant before sending
her showreel directly to the editor of CBBC and landing her
dream presenting job.
Agents
You could try and get yourself an agent. Again a showreel
will be needed as well as a desire to succeed. If the agent
is excited by what they see, they may take you on. But don't
be too disappointed if that life-changing phonecall doesn't
come. This is a longshot for an unknown aspiring TV Presenter!
Alternatively,
you could come up with your own programme idea with - surprise,
surprise - you as the frontman. Good TV ideas are hot property,
and the more ideas you can come up with, the better. Again,
this is a longshot, but it may just work for you.
Gopher
it!
Rather than starting as a presenter, you may want to just
try getting into TV as anything. Many presenters start as
a runner with a production company, expected to do everything
and anything. If you're really lucky you'll be paid but expect
to turn up for nothing. See it as a learning curve - you can
check out how programmes are put together and what the presenter
has to do on and off screen at first hand. Make sure you are
punctual, enthusiastic and flexible - you want to be on hand
when the Presenter is off sick so that you can fill in! But
watch out for the exploiters out there - if you're still only
making the tea in, say, 6 months time then maybe it's time
to move on. T4's Dermot O'Leary worked his way up the TV ladder
from being a 'warm-up man' - the person who gets TV audiences
in the right mood before a show - to one of the hottest Presenters
on TV.
How
do you find a production company? Occasionally, they do advertise
in the press, but competition will be tough, and you are much
more likely to get your first runner job by contacting the
company direct. PACT produce a yearly handbook of their production
company members which is a good starting point. Also do web
searches, check out who is advertising for production staff
and offer yourself as a runner. Note down companies that make
programmes you watch with presenters you like and send them
your CV.
Review
all your skills and knowledge and target those production
companies that specialise in making programmes that you have
particular knowledge in - you will have more to offer them.
Be
persistent and don't take no for an answer.
What
if you hit a dead end?
Some charities like Greenpeace,
the Media
Trust and the Big Issue have production arms - offer to
work for free as a volunteer. Schools, colleges, universities
and community groups often run video projects - volunteer
to work on them. You may be able to try presenting. At least,
you'll gain valuable experience and skills which make it easier
to get that big break. You'll also have something to show
other potential employers. You could even approach them with
your own idea and see if they will back you?
Maybe
an indirect route may work. Think about starting as a secretary,
marketing officer, assistant, etc for a big TV channel or
production company. Or maybe radio or the Internet is a good
starting point. Some charities and community groups that specialise
in the media may also be worth checking out like Children's
Express and YouthNet. You may then be able to move sideways
into that presenting post that you always wanted. You'll also
build up valuable contacts within the industry as well as
valuable knowledge and skills.
But
you could be a secretary for a long time so don't lose sight
of where you want to be. Live and Kicking's Katy Hill began
working as secretary to the Head of BBC Children's Programmes.
Whilst there, she submitted her showreel to the editor of
Blue Peter. After getting some direct TV experience with Nickelodeon,
she got an audition for Blue Peter, and the rest, as they
say, is history!
Finally,
be prepared to network. Join groups and clubs, check out Internet
discussion groups and mailing lists like Shooting
People and Exposure
… or start one yourself. The more skills and contacts you
can develop, the better.
Goodbye…
and see you next week
TV
presenting jobs are like golddust. Unfortunately, there are
hundreds, if not thousands, of young people chasing a handful
of presenting jobs. If you're not mega-lucky and walk or fall
into a presenting career - and some do - then be prepared
to graft. Work on your technique, skills and contacts. Get
experience anyway you can, cultivate contacts and network,
network, network.
Be
ready for disappointments and rejection. But don't get disillusioned,
loads of young people across the country are in exactly the
same boat as you. If want to be a TV presenter badly enough
and are prepared to work for it, then you might just make
it.
by
Kiminder Bedi
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