Skip Channel4 main Navigation
Explore Channel4
Food
Homes
Film
4Car
News
See All

THE ARTS
Howard Goodall's Big Bangs
 
Introduction
Programme 1: The Invention of Notation
Programme 2: The Birth of Opera
Programme 3: The Discovery of Equal Temperament
Programme 4: The History of the Piano
Programme Aims
Programme Outline
Background Information
Music Heard in the Programme
Activities
Links
Programme 5: The Development of Recorded Sound
Curriculum Relevance
Contact 4Learning
Print Version

Please use the menu on the left to navigate through this resource

Activities

1.
a) Listen to the cimbalom or dulcimer played in folk or gypsy bands. What do you think its role is?
b) Zoltán Kodály (1882–1967) uses the cimbalom in his orchestral suite 'Háry János' (also an opera). Listen to a section where the cimbalom can be heard. Can you imagine this played on the piano – how different would the effect be?
c) The zither is used in the film 'The Third Man'. If possible, watch the opening moments of the film and discuss the effect the zither has on the viewer and imagine what the effects would be if the opening piece were played on a piano.

2. Listen to a piece of music played on the harpsichord and compare it to the same piece played on the piano (a good example would be a prelude and fugue from 'The Well-Tempered Clavier' by J.S. Bach). Which do you prefer? Some people prefer to hear music written for the harpsichord played on the harpsichord. What do you think are the advantages of the piano?

3.
a) Listen to a song by Schubert, for example 'Erlkönig' or 'Gretchen am Spinnrade'. Focus on the accompaniments. How do they bring colour to the melodic line?
b) Benjamin Britten (1913–1976) set many traditional folk songs to new piano accompaniments. Listen to at least one song ('The Sally Gardens' or 'Little Sir William' for example). What does he do with the accompaniment?
c) Compose a piano accompaniment for a folk song you are familiar with. Try to incorporate some of the ideas Britten used in his folk song settings.

4. What are enduring qualities of the piano? Why do you think it is still an important instrument for musicians working in all sorts of musical genres at the beginning of the twenty-first century?