High Noon
85 minutes,
United States (1952), U
Average user rating 
(4.7 / 24 votes)
(4.7 / 24 votes)
Gary Cooper's Marshal Will Kane awaits the arrival of a killer in this minimilist but powerful western. A devastating rehearsal of what would come to be one of the genre's major concerns
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High Noon Review
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Gary Cooper's Marshal Will Kane awaits the arrival of a killer in this minimilist but powerful western. A devastating rehearsal of what would come to be one of the genre's major concerns
Telling its story of a recently retired marshal who finds himself friendless and alone to face four desperadoes on his wedding day, this gripping western respects the unities of time and place. The pulsating action coincides exactly with the 85 minutes' running time, as well as brilliantly setting the marshal in isolation among the ominous wooden buildings and dusty streets of a small frontier town.
It was the high point of Fred Zinnemann's career, and Gary Cooper, in his Oscar-winning role - at 51, his handsome face lined and drawn - gives possibly the most poignant and profound performance to be found in any western.
No doubt Sergio Leone remembered the movie (in which Leone star Van Cleef makes his debut) when he embarked on his homages to the American West, while Ennio Morricone has echoed the effective use of the 'Do Not Forsake Me, Oh My Darling' song on the soundtrack.
It was the high point of Fred Zinnemann's career, and Gary Cooper, in his Oscar-winning role - at 51, his handsome face lined and drawn - gives possibly the most poignant and profound performance to be found in any western.
No doubt Sergio Leone remembered the movie (in which Leone star Van Cleef makes his debut) when he embarked on his homages to the American West, while Ennio Morricone has echoed the effective use of the 'Do Not Forsake Me, Oh My Darling' song on the soundtrack.
Verdict
File under 'classic'.
File under 'classic'.
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