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100 Greatest Movie Stars

100 Greatest Musicals

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Here's your chance to take a look at our comprehensive guide to the 100 greatest movies of all-time. To find out more about each movie, simply click on the movie title to be taken to a definitive movie review.


  THE THIRD MAN (1949)
Orson Welles' Harry Lime steals the show (and anything else he can get his hands on) in this stunning noir set amid the ruins of post-War Vienna, and featuring perhaps the most memorable chase sequence in cinema.


  FOUR WEDDINGS AND A FUNERAL (1994)
Hugh Grant is at his bumbling best in this feel-good farce about whether or not to tie the knot. British filmmakers showed Hollywood how to do romantic comedy and Oscar nominations followed.


  THE SOUND OF MUSIC (1965)
However much it may be ridiculed - its status as a Christmas TV film is legendary - there's no denying that the Andrews classic is one of the best screen musicals ever made.


  FITZCARRALDO (1982)
An obsessive adventurer decides to build an opera house in the middle of the Amazonian jungle. Easier said than done? Yes. A potent team-up from enigmatic talents Werner Herzog and Klaus Kinski.


  DELIVERANCE (1972)
A bunch of city slickers venture to an Appalachian river to shoot the rapids there - and find themselves farther from civilisation than they could possibly have imagined.


  THE GOOD, THE BAD AND THE UGLY (1966)
Morricone's cheekily melodramatic score, and the physical interplay between the leading men all contribute to the film's (and Eastwood's) iconic status.


  KIND HEARTS AND CORONETS (1949)
Alec Guinness has a field day in this ultra-black Ealing classic, playing all the members of an effete, aristocratic family as they get bumped off, one by one.


  CHINATOWN (1974)
Polanski's masterly film noir takes us back to the days when Los Angeles was a (relatively) small town - and Jack Nicholson was a proper actor.


  THE EXORCIST (1973)
The most successful adult horror film of all time: still sicker than a post-curry vomit festival


  ANNIE HALL (1977)
Woody Allen's best work, this early romantic comedy starring Diane Keaton remains his only movie to win a Best Picture Academy Award - beating Star Wars, no less.