Take a look behind the scenes at the making of Faintheart. Plus read an interview with the director.
According to Lol Hammond, being a music supervisor is a "weird niche job" that is usually undertaken by "old gits". He tells us more about this and his work on Faintheart.
Alan Niblo of Vertigo Films talks to Film4 about Faintheart and how to survive in the increasingly tough British film market.
Many of the roles for Faintheart were cast through the internet. Meet some of the first actors ever cast online.
Shane loves them. Ken Loach adores them. Vito Rocco is filling his entire film with the fame thirsty blighters. Is using non-actors really a good idea?
Sam Lavender, development executive at Film4 productions, shines a torch into the dark, angsty, pen biting world of turning scripts into movies.
Robert McKee is the Don Dadda of script writing gurus. His book, "STORY" is the most widely read book in the industry.
If film is such a 'collaborative medium' why does everyone bang on about the director? We asked Peter Carlton, Senior Commissioning Executive of the exciting low budget stuff at Film4 what kind of tips filmmakers should bear in mind for their future careers.
Is making a short film really worth the aggro? The fast lane to fame and fortune or a great way to blow 10 grand? Insider View cocks a snoop at the frenetic world of short film production.
Do film makers really need so called 'masterclasses' in the dark arts of unabashed self-promotion? Insider View weighs up the Pro's and Con Merchants.
