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The Yellow House

Van Gogh: Congregation Leaving the Reformed Church in Nuenen, 1884
Oil on Canvas, 41.3 x 32.1 cm
Photo: Van Gogh Museum, Amsterdam


Van Gogh: Congregation Leaving the Reformed Church in Nuenen, 1884
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This small canvas was painted at the beginning of 1884 for Van Gogh’s mother, who had broken her thighbone in January, but it was also partly intended for his father, for the church in the picture is the one where his father had become pastor in 1882. X-rays show that initially there were no human figures in the painting except for a peasant with a spade. Later – probably not before the autumn of 1885 – the painter added the members of the congregation to the composition. He also added autumn leaves to the original bare, wintry trees, thereby making the canvas somewhat more colourful. It is not entirely clear why Van Gogh overpainted a part of the scene. The woman in the centre of the foreground, who is dressed in mourning, may provide a clue. The artist's father died in the spring of 1885, and Van Gogh may have intended these changes to connect the painting more closely with his dead father and thereby to update it, as it were, for his mother.

Van Gogh: Self-Portrait with Straw Hat, 1887Van Gogh: Sunflowers, 1889 Van Gogh: The Potato Eaters, 1885Van Gogh: The Yellow House, 1888
Van Gogh: The Bedroom, 1888Van Gogh: Irises, 1890Van Gogh: The Harvest, 1888Van Gogh: The Butcher's Shop, 1888
Van Gogh: Wheatfields under Thunderclouds, 1890 Van Gogh: Gauguin's Chair, 1888Van Gogh: Self-Portrait as an Artist, 1888Van Gogh: View on the Alpilles, 1890
Van Gogh: Pietà (after Delacroix), 1889Van Gogh: Boulevard de Clichy, 1887Van Gogh: View of the Sea at Scheveningen, 1882Van Gogh: Congregation Leaving the Reformed Church in Nuenen, 1884
Van Gogh: Olive Grove, 1889Van Gogh: The Bridge in the Rain (after Hiroshige), 1887Van Gogh: Still Life with Earthenware and Bottles, 1885Van Gogh: Self-Portrait with Straw Hat, 1887
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