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| Humphrey Jennings 1907-1950 | |||
[Life story] |
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1907 |
Born in Walberswick, a fishing village in Suffolk, son of a middle-class architect father and a painter mother. Has a 'wild, solitary' childhood. |
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1916-26 |
Goes to The Perse School, Cambridge. Excels academically and as an athlete. Takes an active part in the school's drama productions. |
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1926-29 |
Studies English at Pembroke College, Cambridge University. Takes part in drama, paints and co-edits Experiment, a literary magazine. Graduates with the highest possible honours, a starred First. |
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1929 |
Marries Cicely Cooper and begins postgraduate work on the 18th-century Cambridgeshire poet, Thomas Gray. |
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1930-33 |
Edits Shakespeare's poem, Venus and Adonis. Works in theatre and, briefly, as a teacher. Travels to France. Gives up his research on Gray. |
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1934-35 |
Joins John Grierson's GPO Film Unit. Completes his first minor films as actor, set designer and director. |
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1936 |
Helps organise the first International Surrealist Exhibition in London, which includes work by Salvador Dali and Max Ernst. |
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1937 |
Co-founds the Mass Observation movement with Charles Madge and Tom Harrisson. |
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1938-39 |
Broadcasts for BBC radio. Makes more GPO films, including his first distinctive work, Spare Time. |
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1940-45 |
During the Second World War, directs Listen to Britain, Fires Were Started, The Silent Village and A Diary for Timothy. |
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1946-49 |
Makes films, including Dim Little Island and Family Portrait. Travels to Burma. Writes Pandaemonium: the Coming of the Machine in the Industrial Revolution, his collage-history of the Industrial Revolution. |
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1950 |
Dies on the Greek island of Poros after accidentally slipping off a cliff while looking at locations for The Changing Face of Europe, a film about health. |
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1985 |
His book, Pandaemonium: the Coming of the Machine in the Industrial Revolution, is finally published. |
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