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In April 2000, David Quantick and his writing partner Jane Bussman made The Junkies, the first situation comedy on the net, at a rock bottom price of £5000. He is also is a scriptwriter for the TV series Brass Eye and Smack the Pony.

Why d'you do it?
Originally the intention was to shoot it as a TV pilot. As a tie-in we put it up on the net as well, and one of the actors, Sally Phillips (Smack The Pony), said that she'd much rather be in a net comedy, so that's how it's been thought of ever since.

In the first year there were over a million attempts to download it, which got a lot of attention from the press and from a few TV companies. But there were problems over the subject matter and the fact that they wanted us to make it for the same kind of money, which you can't for TV.

For £5000? How did you manage that in the first place?
Basically, because we didn't pay anyone. All the cast are people we know, and the crew were recruited for free through Shooting People. The money mostly went on insurance and transport, a bit of catering and we gave this bloke £200 to use his council flat.

Were there differences making a show for the web rather than for TV?
On the net you can do exactly what you want to do creatively – and we did. You don't have commissioning editors or channel controllers trying to change your idea. But we used that freedom well and respected the boundaries and we weren't gratuitous. You could have done half an hour of fart gags.

It was shot on DV, which isn't used much for TV because of the resolution. But the grainy look looked good on the net. It would have worked well as a daily five minute comedy. The net is good for short video – sketch comedy or a movie trailer – but trying to watch a movie on it is madness.

The Junkies was on the net the same day as it came out of post-production. If the BBC or Channel 4 had commissioned it, it would have been a year at least. That immediacy is the advantage of the net and why, say NME online is better than the NME in print, because the stories are constantly updated.

Good comedy sites?
The best comedy sites are the ones which use the medium well, for example TV Go Home and The Onion. Both work because of the use of graphic and text. They're the sites that are constantly ripped off but are still the best. You should ask yourself – 'could this only be on the web?'

A final tip on shooting a web comedy, if you please
Find out how cheaply you can do it. Use your imagination. All you need is a camera, some lights and sound. Just 'Follow the Dream'.*

*(In trying to get over the way the last phrase was said, imagine Professor Sarcastic of the University of Sarcasm making a sarcastic comment)

  Mike Slocombe
  Paul RoseDan Freedman
David Quantick
  David Quantick
  Dan Freedman
  Kev Sutherland
  Charlie Dancey
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